We are hiring.

Three flexible days a week, $3,250 to $3,900 a month. Starts with a three-month trial.

We’re a small creative house that films companies from the inside. We shoot live events, podcasts, interviews and brand films in New York, and our editors in Istanbul cut them overnight. Our team’s work has run for Netflix, Oracle NetSuite and IBM.

We’re looking for a producer who loves building things. You like taking a project from the first call to the finished film and keeping a team pointed the same way while you do it. You catch small problems early. You care about telling stories, and you want to help build a business at the same time.

We’re starting to make more of our own creative work alongside the client work, so a real love of storytelling matters here.

Most weeks start with our anchor client, a pharma ingredient company with something to say every week. You find out what it is and get it made. From there you’re running projects end to end: briefing the editors, watching the cuts when they come back from Istanbul, and saying clearly what’s working and what isn’t. When we win a shoot, you produce it and run the day, which means driving to location with the gear more often than not. New inquiries come in every week, and you’re the one who answers them and gets them moving. You know your way around Resolve, so when an edit needs a hand, you open the project and jump in.

The other big part of the job is community. We’re building Vantage Creative, a community for filmmakers and business builders, out of the Lighthouse campus in Greenpoint. You’d help build it from the ground up: getting the right people in the room, planning meetups and events, and keeping the people who come connected to each other and to the work.

You’ve produced real shoots, you’re comfortable running one, and people have relied on the schedules you built. You know DaVinci Resolve and you understand editing well enough to give real notes and make changes yourself. You notice when something is off, in a cut or a call sheet, and you fix it. You’re comfortable using AI tools in your workflow and your communication. You’re interested in building community, not just finishing projects. You have a driver’s license. You don’t wait to be told what to do. You’re usually the person on set who says “we can make that work.”

It’s a plus if you can pick up a camera when a shoot needs one more, if you’ve done some marketing, if you can make a clean static in Canva, Figma or Adobe, or if you’ve managed people or run events and meetups. If you’d enjoy being on camera talking about your work, even better. We’re building out a studio, and we’d like the people behind the work to be in front of it sometimes too.

Early in your career or twenty years in, we care about the work more than the years.

If you want to learn more about cinematography, building a business, making content and building a community, you’d get to do all of it here.

What comes with the job:

You’d be getting in early. We’re setting up how we work right now. There’s also more to Vantage than this page shows. Some of what we’re proudest of is still being built, and you’d see it before anyone else does.

When we win new client work with a qualifying budget, there’s project pay on top of your base, so you earn more as we win more. We’d like this to be something we build together.

We’re starting with a three-month trial, so we can both see if this fits. By the end of it we’d hope our anchor client’s work runs through you from start to finish, we’ve landed a new client, every inquiry gets a quick and clear answer, and anyone on the team can see where a project stands without having to ask.

Three days a week, and the days are flexible. If you need a day for a shoot or another freelance job, let us know and we’ll organize the week around it together. Some days are with the founder at the Lighthouse campus in Greenpoint. Plenty are from home, since we’re not always on campus. Base pay is $3,250 to $3,900 a month for the three days ($31 to $38 an hour). When we win new client work with a qualifying budget, there’s project pay on top. It starts as a three-month trial. If it works for both of us, the role continues and can grow into full time.

Click Apply now. It takes about twelve minutes: a link to work you’ve produced or cut, a few short answers, and one note on a film of ours. A person reads every application. If it looks like a fit, we’ll set up a 30-minute call with the founder, then a paid day working with us on something real.

If you have questions first, email jobs@vantagecreativehouse.com. We’d rather answer ten than have you guess. You can see our work at vantagecreativehouse.com.

You cut the work that goes out under our name.

Short films, social cuts, event recaps, founder films. Assemblies on Monday, a look by Wednesday, delivered before anyone asks.

You work beside our lead editor in Istanbul, so the room never sleeps.

Freelance to start, with room to grow into part or full time.

Send a reel and two full cuts, with a line on each about what the brief was.

No cover letter.

You shoot the work. Interviews, events, b-roll, founder films.

Mostly New York, sometimes on the road, often at short notice.

You own the image on the day, and the footage lands clean in the edit that night.

Send a reel, and one interview setup you lit, with a photo of the setup.

No cover letter.

Vantage Solutions connects the films we make to the places a business grows: Instagram, the website, the inbox, the pipeline.

You build that layer. A finished film on Monday, living on a page by the end of the week, catching leads and passing them on with the follow-up ready.

Freelance to start, with room to grow into part or full time.

Nobody has all of these. Tell us which you are strongest at, and which you want to learn.

Send links to two things you built that are live today, and what your part was.

Then one short paragraph: a founder has a great film and no leads. What do you build first, and why?

We read everything. If it is a fit, a short call, then a paid trial day building something small and real with us.